His creative domain was music as well as painting, literature, new media and polymedia synthesis. Coinciding with avant-garde streams, yet independently from them he researched in the field of the vocovisual, projectism (1954), tactile art (1956), polymedia and body action (1957), tape music (1960), electronic music (1966), computer music (1976), and computer graphics (1988). The central position in his creative poetics was reserved for the ART SYNTHESIS. He authored over 250 theoretical texts on music and new tendencies in the arts.
He was the recipient of ten domestic and international awards for music (among them three first prizes at Yugoslav Radio Music Competition, October Award of the City of Belgrade 1971, Second Prize for electroacoustic music in Bourges 1979, Gianfranco Zafrani Award at Prix Italia 1984, First Prize at the International Review of Composers, Belgrade 1998), three awards for literature (one of them the award of the prestigious publisher Nolit in 1968) and six for visual arts (among them the First Prize of the Ministry of Culture for the best multimedia exhibition in 1992, the First Prize for video in Sao Paolo 1997, the First Prize of the City of Belgrade for visual arts in 2007, and the „Ivan Tabaković" award for 2006/2008).
He was a member of the Serbian Composers Association and Serbian Fine Arts Association. From 2001 he was Guest Lecturer for Polymedia Arts at the University of Arts in Belgrade. In 2005 he received an honorary Ph D in music at University in Columbus, Ohio. In 2007 he received an honorary Ph D in Polymedia Arts at University of Arts in Belgrade, Serbia.